"It’s rather unfortunate that this beautifully lensed, black-and-white Italian gem is less famous for its cinematic strengths and more for the notoriety of its director, Pier Paolo Pasolini, the controversial auteur whose identity as a gay socialist atheist made him an unlikely choice to helm a film on any biblical topic. Yet Pasolini was clearly moved by Christ’s story, and his film is visual poetry of the highest order. It may not be quite as gripping as other biblical films, but it rewards patient viewers with moments of exquisite beauty, such as when Christ miraculously heals a leper. Much of the film’s ancient locations, particularly Matera, were later revisited in The Passion of the Christ." Matt Fagerholm (Religion at the Movies). On Roger Ebert's list of Great movies (****).
Italian (English subtitles).
Italian (English subtitles).
